January 28, 1999 | [1999 issue index] |
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Cover Story |
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| Balls To the Wall Tired of losing money on the Northeast regional airport, the city plans to develop itssurrounding grounds. One of the city's most popular soccer fields might disappear as a result. by Mark Naymik |
Sight Control CP's art critic takes a look at the most-visited new art gallery in town: thePhiladelphia International Airport. by Robin Rice |
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Opinion |
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SLANT |
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| Extinct Possibilities by Adam Lioz |
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LOOSE CANON |
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| Delete: "Homosexual" by Bruce Schimmel |
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PRETZEL LOGIC |
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| Simpsonomics by Howard Altman |
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MAILBAG |
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| Letters to the Editor by the Readers |
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News |
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CITY BEAT |
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| NID Picking Some community leaders see dangers in a new state law on Neighborhood ImprovementDistricts. by Frank Lewis |
Way Off Course A funding crisis may force the city's largest meeting space for gays, lesbians and thetransgendered to shut its doors for good. by Jen Darr |
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hall monitor |
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| Tom gets his day in court by Frank Lewis, Gwen Shaffer and Jen Darr |
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HIT AND RUN |
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| Tears for Fear Factory by Bram Teitelman |
Headstart for Labor by Dina Mendros |
A Protected Society by Jen Darr |
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ON MEDIA |
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| Dirty Dealing by Christopher McDougall |
A Fine Time by Gwen Shaffer |
Air Time by Gwen Shaffer |
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POLITICAL NOTEBOOK |
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| Mary Frangipanni's Political Notebook by Mary Frangipanni |
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BELL CURVE |
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| The Bell Curve City Paper's weekly gauge of Philly's Quality of Life |
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Arts |
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CRITICAL MASS |
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| Praise at the Meeting House A new African-American performance series mixes hip-hop with black academics in aproject that brings the arts back into the church. by Jonathan David Jackson |
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ART |
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| Seas of Metal by Robin Rice |
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THEATER |
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| Run of DeMille Sunset Boulevard by Toby Zinman |
The Whole Thing Talking with Philip Glass about Robert Wilson, 3-D and Monsters of Grace. by Vance Lehmkuhl |
Nudes Is Good Nudes? With all the publicity generated by Nicole Kidman's nude scene in Blue Room, now onBroadway, the coming of Portrait of a Nude to the Walnut Street Theatre's Independence Studio on 3 might seem likeclever exploitation, or at least fortunate timing. The new drama by Laura Shamas opens Tuesday, Feb. 2, for a two-weekrun. It is the play's East Coast premiere. by Steve Cohen |
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| Suite Memories Hotel Suite by Toby Zinman |
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DANCE |
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| Will the Real Diva Please Stand? Rucker, Wright, Sandler and Shockley at the Painted Bride Art Center, Sat., Jan. 23. by Jonathan David Jackson |
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BOOKS |
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| Benetton Nation ABC news correspondent imagines America's race in the 21st century. by Cindy Fuchs |
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NOISES OFF |
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| Grab Your Partner Everybody's doing itand now Madi's found Paradise. by David Warner |
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20 QUESTIONS |
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| Neil Gaiman by Patrick Rapa |
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Music |
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| Back in Blue New Blue Note box set looks back on 60 years. by Philip Booth |
Phat Beats in the Far East A new documentary captures Japan's hip-hop culture. by Ogbonna Hagins |
Speak Now... Fundraising for Mumia Abu-Jamal is on the rise with Cornel West, Rage Against theMachine and the death row inmate's daughter droppin' science. by Ogbonna Hagins |
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| Sonic Truth In JRNLS80s, Sonic Youth's Lee Ranaldo collects his thoughts from the band's formativeyears. by Sam Adams |
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review |
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| Philadelphia Orchestra Simon Rattle, conductor, Academy of Music, Jan. 23 by Peter Burwasser |
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ICEPACK |
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| Icepack by a.d. amorosi |
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DISC QUICKS |
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| Built to Spill Keep It Like A Secret by Brian Howard |
Cassius 1999 by a.d. amorosi |
Sparklehorse Good Morning Spider by Margit Detweiler |
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| The Black Crowes By Your Side by Philip Booth |
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Food |
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| Warming Trend Pasion! fulfills its promise with an innovative Nuevo Latino menu. by Maxine Keyser |
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sidedish |
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| Carbonated Canines by Amy Junod |
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Listings |
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SIX PICK |
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| Seán Curran by Jonathan David Jackson |
The Farewell Bend/Bluetip by Brian Howard |
Lights Up & Spins Around by Brian Howard |
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| Avatars of Dub/Thunderball by Brett Burton |
Frank Deford by Brian Howard |
Ossie Davis and Ruby Dee by Rosemary Darigo |
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CRITIC PICK |
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| Murray Louis and Nikolais Dance by Sam Adams |
John Waters Trash-A-Thon by Sam Adams |
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