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Showing articles 1 to 10 of 232 by Sam Adams
November 5th, 2009
City Paper Grade: C+
Clooney nearly saves the picture single-handedly by delving into the
farcical repertoire he's fruitfully developed with the Coen brothers.
by Sam Adams
October 29th, 2009
City Paper Grade: B+
Born out of Lars von Trier's bout with clinical depression (which, to
judge from recent interviews, he's not quite over), this harrowing
two-hander is an ordeal by design.
by Sam Adams
October 1st, 2009
Too often, Moore falls back on his old tricks.
Moore doesn't do quandaries. He doesn't want people to ask questions. He just wants them to swallow his answers.
by Sam Adams
September 24th, 2009
The Toronto International Film Fest is on the road to Oscar, but it's the surprises that shine through.
The Toronto International Film Festival is often a venue for anointing
the preordained, the first stop on the studios' long march toward Oscar
season.
by Sam Adams
September 17th, 2009
Dubbing himself Agent 0014, "because I'm twice as smart as 007," he collects hundreds of hours of surreptitiously recorded audio and video tapes toward building the government's case. That much, at least, is fact.
by Sam Adams
August 27th, 2009
Play Time | Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles | Dollhouse | Battlestar Galactica | more ...
by Sam Adams
August 20th, 2009
The epic, overstuffed Inglourious Basterds is WWII through a Tarantino lens.
Tarantino is more interested in tailoring the WWII movie to fit his
preoccupations than the other way around. He even manages to satisfy his foot fetish by having an
errant high heel play a pivotal role in the climactic sequence.
by Sam Adams
July 30th, 2009
City Paper Grade: A-
The movie has its share of zinger, but at its heart is a pitch-black and utterly
true-to-life portrait of the modern political era.
by Sam Adams
July 23rd, 2009
City Paper Grade: B+
Unlike Napoleon Dynamite or Juno, (500) Days of Summer hurts.
by Sam Adams
July 16th, 2009
Legendary director Francis Ford Coppola talks about his return to smaller, more personal filmmaking.
"If you want your films to be beautiful, and you want to have beautiful
images and beautiful sound and beautiful acting, you have to kind of
corral all the collaborators."
by Sam Adams