opera

The Delaware Valley is awash in Middle Period Verdi — and why not? While Opera Company of Philadelphia is giving Un ballo in maschera, Opera Delaware mounts Rigoletto. Both works encountered censorship, as both originally dealt with plots to kill a king. This opera's libertine ruler — who pursues his bitter jester Rigoletto's treasured daughter (and every other woman in sight) — was eventually demoted to be a mere Duke of Mantua, and the police were happy. So was the audience; this piece, based on a Victor Hugo play, has been a surefire hit for 150 years. Rigoletto is a great first opera for those new to the form, and Wilmington's historic, snug theater is delightful.

Met veteran baritone Theodore Lambrinos, a practiced Verdian stylist, takes the imposing title role. Gustavo Lípez Manzitti makes his local debut as the randy Duke, who sings a tune so catchy ("La donna e mobile") that Verdi only revealed it to the original tenor the night before the premiere. Two talented resident artists of Philly's Academy of Vocal Arts take part: The winning coloratura Ailyn Pérez should be lovely as the innocent Gilda, and the strong-voiced mezzo Nicole Piccolomini (pictured) effectively cast as the brazen Maddalena. Hot tip: Take advantage of the Thursday night show's wallet-friendly pricing, ranging from $13 to $28.

Rigoletto, Sat., Oct. 29, Thu., Nov. 3, 7:30 p.m.; Sat., Nov. 5, 8 p.m.; Sun., Nov. 6, 2 p.m.; $13-$71, Opera Delaware, Grand Opera House, 818 N. Market St., Wilmington, Del., 800-374-7263, www.operade.org.