November 25-December 1, 2004
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Classical
There has always been an odd schism between the high-minded demeanor of classical music and the show-business aspect of public performance. Even Mozart took pride in that bold red silk jacket that he preferred to wear when he played his immortal music. Today, artists continue to engage in the dance of entertainment and intellectualism. Violinist Nadja Salerno-Sonnenberg (above) is exhibit one in this discussion. There is no doubting her huge talent and genuine expressive capabilities. The question is merely to what extent the histrionic aspects of her performancesthe dramatic choreography, the wow 'em dresses, the offstage persona and so onimpact the music-making. She is in Philadelphia this week for two engagements, one as soloist with the Philadelphia Orchestra, playing the Mendelssohn concerto, and one as a chamber-music player in a concert of Sarasate, Kodaly and Dvorak pieces. If all else fails, just close your eyes. It's what falls on the ears that really matters.
Nov. 26-27, 30, 8 p.m., Verizon Hall at Kimmel; Philadelphia Orchestra Chamber Music Series, Nov. 28, 3 p.m., Perelman Theater at Kimmel; 300 S. Broad St., 215-893-1999.
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