|
|
||||
![]() |
![]() |
|||
![]() |
![]() |
![]() |
||
![]() |
||||
![]() |
||||
|
|
June 12-18, 2003 cover story Connecting Flight
A five-hour journey ends a century of separation. Standing on the hilltop that my ancestors abandoned slightly more than a century ago, its easier to understand why they left. The view is gorgeous, but the land is water-logged and ankle-twistingly lumpy and, as my cousin, Gerry, puts it, no good for growing anything but children. Gerry, who brought me to this spot, is the grandson of Thomas Daniels, the since-deceased younger brother of my late great-grandmother Cecelia Daniels. Thomas, the youngest of four, remained in Ireland -- in Loughrea in County Galway, to be precise -- even after Cecelia and two other siblings left for America around 1900. Apparently there was no further contact. Until now. The story behind how I came to be standing on that hill with Gerry recently goes back about five years. Shortly after the birth of my first son, I decided it was no longer enough to know only that I was a descendent of Irish immigrants who rarely spoke of the country they fled. I wanted names and dates and explanations, so that my children would know more about themselves and their history than the vague and superficial ethnic pride I grew up with. So I posted what little my relatives knew about our ancestors on an Irish website, and waited. Almost a year later I received an e-mail from an Oliver Daniels of Galway. The details I had posted were consistent with what he knew of ancestors of his who had left for America generations before. We exchanged more information -- I assembled the bits and pieces that my relatives could recall, and Ollie consulted his brother, Gerry, who'd amassed a great deal of family history over the years -- and eventually became convinced that we were related. Any lingering doubts were erased when I finally traveled to Ireland to meet them in late May, courtesy of US Airways' new direct service from Philly to both the Shannon and Dublin airports. Ollie and Gerry could easily pass for my mother's brothers; their hair is darker, but the shape of the eyes is strikingly similar. In their children's faces I saw other reflections of my immediate family: my grandmother's deep-set eyes and brow in one of Gerry's daughters; my sister's eyes and freckles, and my son's chin, in his other daughter; glimmers of one of my uncles in Ollie's son; and hints of my own face in those of his daughters. Even more amazing were the nonphysical similarities. Gerry is a kindred spirit to my late uncle John; he has the same passion for Irish history and culture, the same love of good coffee and good conversation. He even drapes one arm absently over his head when ruminating, just like John used to. They would have gotten on famously. I heard no whispered voices, experienced no moments of clarity or peace, as I stood on that hill with Gerry, looking at the remains of a tiny stone house once occupied by my great-grandmother's closest neighbors. (The site of my family's old house is in an area now covered with an impenetrable forest of evergreens, part of a national reforesting project.) And yet there was something almost mystical about making that connection to my family's past, and to history. Our reunion would not have been possible even a generation ago, before widespread use of the Internet and affordable overseas flights, and yet meeting Ollie and Gerry and their families showed me just how close the past really is, how it lives in us and speaks to us, if we choose to listen.
-- Respond to this article in our Forums -- click to jump there
Recent Comments
NOW SEE THIS: Al Bundy shakes it to Major Lazer `Molly, will you help me make a shot-by-shot remake of this scene?` » SXSW Day 2: The Labelmakers `Kill Rock Stars, Merge, and Sub Pop showcases all on the same day. That is just awesome!` » SURPRISE!: Urban artists love Obama `GODMAN ENZO WANTS TO THE THANK PHILADELPHIA'S CITY PAPER FOR GIVING US A CHANCE TO WRITE WHAT WE FELT, SOME VERY DIFFERENT FROM THE NORMAL COMMENTS RATHER ` » Blahg Humbug `Maybe we should just offer critiques of the artblahg loser's work instead of pretending we don't know who he is.
You can call me VINCENT and I'm just ` » BIG UPS: Local designers lovin' on their hometown `And when you head west to Lancaster, be sure to check out BUiLDiNG CHARACTER, Downtown Lancaster's Creative Outlet with 30+ vendors selling architectural ` » The Fall Guy `KB, the reason that high school students are using interpreters is that many of them have lived in the US for only a few months.
One thing that news ` » CONCERT REVIEW: Janelle Monáe @ Johnny Brendas, 3/19 `She really is a star, and it was a privilege to see her in an intimate venue.` » MUSIC MADNESS: Win The Runaways soundtrack
`1. Jodie Foster and Scott Baio; Bugsy Malone
2. Floria Sigismondi
3. Welcome to the Rileys and Remember Me` »
Popular Articles
The Fall Guy The student the School District blamed for the violence at South Philadelphia High School shares his story. It's not the same one District officials have been telling. Reinventing Arlen One year after he fled the GOP, Pa.'s senior senator is scratching and clawing to do what he does best: survive. Seuss Chef Environmental lip service takes a back seat to tasty a.m. fare at Green Eggs Café. The Climb Behind Ladder 15's Ansill-fied revamp. The Next Movement
Oh! Pears' Corey Duncan is assembling an ambitious rock orchestra. ![]() Hot Hands Studio: $50 for $25 Massage, Skin Care & Body Treatments | Curves | Cafe Nola | Paddy Whacks Irish Sports Pub: Plastic Debit Cards | Philadelphia Orchestra: Four Tickets for April 8, 2010 | Philadelphia Orchestra: Four Tickets for June 3, 2010 | Skirmish Paintball | Swanky Bubbles | Gillian's ticket | Mango Moon HALF OFF DEPOT Why live life at full price? Search Real Estate
Today's Big Deal:
| |||||||||||||||||||||||||||