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October 10-16, 2002 movies Bloody Sunday
If watching Bloody Sunday isn’t like reliving the events in question -- and it would be foolish to pretend that it could be -- it’s still as visceral an experience as you’re likely to get from a fictional film. Shot in jagged, hand-held style, the film recreates the events of Jan. 30, 1972, when British troops fired into a crowd of civil rights demonstrators in Derry, Northern Ireland, killing 13. Writer/director Paul Greengrass, working from Don Mullan’s non-fiction account, leaves some questions open, like the matter of which side fired the first shot, and clearly depicts angry Catholic youths firing (albeit ineffectually) at British troops. But there’s no ambiguity as to the deaths involved, the one-sidedness, or the fact that the victims were unarmed civilians. Greengrass’ approach means those unfamiliar with the tragedy (or who only know the song) won’t be able to pick out most of the characters, although James Nesbitt makes a strong impression as Ivan Cooper, the pacifist politician who orchestrated what was supposed to be a peaceful civil rights protest against the odious practice of “internment without trial.” But you don’t need to develop sentimental attachments to understand the horror of what’s going on -- Bloody Sunday makes you feel every bit. Read an interview with Don Mullan. 
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