:: Philadelphia City Paper :: Philadelphia Arts, Restaurants, Music, Movies, Jobs, Classifieds, Blogs
Philadelphia Restaurants
Philadelphia Movies
Philadelphia Jobs
Philadelphia Events
Restaurant Locator
search restaurants by name

search by neighborhood

search by cuisine

Search
Philadelphia Restaurants
Philadelphia Movies
Philadelphia Jobs
Philadelphia Events
Movies Locator
title

theater

In Theaters Recommended

Search



Movie Ticket Sales
Philadelphia Restaurants
Philadelphia Movies
Philadelphia Jobs
Philadelphia Events
Search Jobs
search for:
within:   of  
 
(use zip or city, state)
 

"Great vision without great people is irrelevant."

—Jim Collins, Author, "Good to Great"

Post a Job on CityPaperJobs.net

In Partnership with JobCircle

Philadelphia Restaurants
Philadelphia Movies
Philadelphia Jobs
Philadelphia Events
Events Calendar
Search For:
Exact Match Partial Match
Category:






 
Advertisements
 
Win

Click here for your chance to win one of this week's prizes.





 
ARCHIVES . Articles

August 16–23, 2001

cd reviews|classical/new music

Clogs

Thom’s Night Out

(Brassland)

image

The biggest drawback to Thom’s Night Out is that it won’t fit logically anywhere in your music collection. A case could be made for including it with your world-music stuff or with your classical discs or even with the rock CDs — somewhere between Camper Van Beethoven and Costello, Elvis. The four-piece ensemble uses Western classical instruments to play pop-structured songs that can sound like klezmer music, traditional Indian melodies or even medieval monody. Padma Newsome plays the violin and viola and also composed most of the tunes. Thomas Kozumplik plays all manner of percussion, including steel drums, and Bryce Dessner plays classical guitar while Rachael Elliott fills out the ensemble on bassoon. Sound like an odd combination? It is, but the honed chops and unique harmonic sensibility somehow hold it all together. Fans of rock’s slo-mo movement will feel right at home, and so will their parents. It is overall refreshing in its originality and bravado; few new CDs in any genre will do as much to challenge the way you listen to music.

Andrew Ervin