April 19–26, 2001
music
The Creeping Unknown
(Thirsty Ear)
19 songs and instrumental sound experiments from Robert Scott, former head of New Zealand bands The Clean and The Bats.
The Creeping Unknown embraces The Bats’ mossy pop chops and delves into the sonic texturing of, say, fellow countrymen The Renderers.
Scott’s bellowing tenor, typically his calling card, is absent from 2/3 of the album but hardly missed on the hazily melodic instrumental tracks.
Mokoondi
(Bubble Core)
65 minutes of electro/acoustic fusion from New Yorker Adam Pierce and friends.
Mokoondi feels like synths and other more acoustic instruments (sax, dulcimer, cheng, gourd rattle) on a funhouse tilt-a-whirl.
A little cookie-cutter post-rock here and there doesn’t dull this cavalcade of otherwise nicely arranged old world/ new school pastiche.
Charged
(Sub Pop)
Balls to the wall grunge metal from Fu Manchu expats Eddie Glass and Ruben Romano.
Hmm, big crunchy riffs and buzzy psychedelia… take your pick — the ’70s was a looong decade.
Charged isn’t all head-banging, crazy-haired mayhem. These guys write songs between bong hits.
The Swimming Hour
(Rykodisc)
Former Squirrel Nut Zippers sideman/violinist Andrew Bird’s third record with his Bowl o’ Fire.
There’s plenty of that over-earnest retro swing religion to get you over, but Bird and co. mix in rock, symphonic pop and a bit o’ gospel, too.
See, something good did come from the swing craze.
Poultry in Motion
(Norton Records)
Greasy white bluesman Hasil Adkins’ collected works on his favorite white meat — including "Chicken Hop," "Chicken Flop" and the irrepressible "Chicken Hunch 1999."
Trust me, you’ve never heard anything like this before. Imagining that cartoon Colonel Sanders crossed with Screamin’ Jay Hawkins is a good place to start, though.
Poultry in Motion is an odd but sincere love song collection. Adkins apparently loves chickens a bucket-full.

